Modern/Antique which marked his departure from the drugged-out songs and the stepping into the world of loops and beats. Less aggressive and more focused on quasi hip-hop beats, it’s again built on raw loops of almost broken circuitry, semi-danceable beats are sometimes interrupted by more meditative and spacey moments or disturbed by stretched and unintelligible vocals. What also emerges sometimes from the numerous layers is a sense of lament, a blues for the year 3.000 maybe.
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